Author: Shenghan Gao

Fall Newsletter 2025

Media + Migration Lab Fall 2025 Newsletter 2025–2026 Theme: Entanglement The Media + Migration Lab continues to expand the ways we think about migration — not as a single trajectory or discrete event, but as a complex web of relations, histories, and ongoing movements that link people, places, and ecologies across time. Migration is never …

Read more

Beyond the Border Headlines Media Coverage of Nigerian and ECOWAS Migration Narratives

Beyond the Border Headlines: Media Coverage of Nigerian and ECOWAS Migration Narratives Nigerian and West African media often reproduce global crisis-driven frames, neglecting everyday regional mobility and the human context of migration. Migration has long been central to West Africa’s social and economic fabric, shaping livelihoods, families, and regional interdependence. Nowhere is this more evident …

Read more

Seeds of Change: Botany of Colonization (1999- ongoing)

Site-specific Installations by Maria Thereza Alves Seeds of Change: Marseille 1999-2000 Seeds of Change: Reposaari 2001 Seeds of Change: Liverpool 2004 Seeds of Change: Exeter and Topsham 2004 Seeds of Change: Dunkirk 2005 Seeds of Change: Bristol 2007 Seeds of Change: Antwerp 2009/2019 Seeds of Change: New York City 2017 Maria Thereza Alves is a …

Read more

Film & Installation: An Asian Ghost Story (2022-2023)

An Asian Ghost Story is a film and installation piece by artist Bo Wang. It is a meditation on the spectral traces of Asia’s late-20th-century modernization, told through the unlikely medium of wigs and the global hair trade. Beginning with the 1965 U.S. embargo on “Asiatic hair”— later rebranded as “communist hair”— the film exposes …

Read more

Documentary Film: Walk the Line (2025)

Produced by WHYNOT, Walk the Line is a powerful exploration of media and migration, documenting the perilous journeys of Chinese migrants across the Darién Gap as they fled Zero-COVID restrictions, economic precarity, and political repression. Blending documentary footage with user-generated videos and social media content, the film adopts a hybrid media style that mirrors the …

Read more