still from 九龍東往事 An Asian Ghost Story

Fall Newsletter 2025

Media + Migration Lab

Fall 2025 Newsletter

2025–2026 Theme: Entanglement
The Media + Migration Lab continues to expand the ways we think about migration — not as a single trajectory or discrete event, but as a complex web of relations, histories, and ongoing movements that link people, places, and ecologies across time. Migration is never solitary. It is always entangled: with landscapes, with economies, with colonial legacies, with nonhuman life, and with the stories we tell about all of these interdependencies.

This year’s theme, Entanglement, draws inspiration from anthropologist Anna Tsing’s The Mushroom at the End of the World, which traces the multispecies networks that make survival possible amid precarity. Tsing invites us to look closely at how worlds come into being through encounters — between human and nonhuman, local and global, extractive and resilient. Her notion of “entanglement” offers a framework to understand migration not as linear displacement, but as a condition of coexistence shaped by histories of connection, contamination, and collaboration.

At the Media + Migration Lab, we hope to bring attention to works and datasets that foreground these entangled relations — projects that blur the boundaries between human and environment, colonizer and colonized, past and present. This year’s highlights include An Asian Ghost Story by Bo Wang, which examines the haunted infrastructures and spectral economies left behind by Asia’s rapid urban transformations, and Seeds of Change by Maria Thereza Alves, which traces the accidental migrations of ballast flora carried by colonial trade routes. Both works expose how the movement of people, plants, and goods are intertwined in shared histories of empire, extraction, and survival.

By centering Entanglement, we invite a renewed awareness of how migration is embedded in material and affective networks — in soil, air, archives, and memory. To study migration through entanglement is to study the threads that bind disparate geographies and temporalities together, to see how displacement and belonging are co-constituted rather than opposed. Media, in this sense, are not only records of movement but also active participants in the making and unmaking of these ties.

Through this theme, the Lab aims to extend our conceptual vocabulary and visual archive to better account for the complexities of living and moving in an interdependent world. The Entanglement keyword will be added to our Concepts page, alongside related materials and reflections from our growing dataset. We invite you to explore these connections — to follow the threads of migration as they weave through stories, images, and infrastructures that are, ultimately, inseparable.

Click on one now to browse through the materials we’ve collected!
S.G.


Seeds of Change is an ongoing artistic investigation that traces the overlooked histories of ballast flora—plants that traveled the world hidden in the soil, stones, sand, and debris used to stabilize merchant ships. When unloaded in European ports, these materials carried dormant seeds from faraway places, capable of germinating decades or even centuries later. By locating historical ballast sites through archival research, mapping, and fieldwork, the project collects and cultivates these seeds, revealing an alternative narrative of global trade, colonization, and ecological transformation. Rather than duplicating scientific study, the work reframes ballast flora as living witnesses to histories of migration and exchange, unsettling conventional ideas of place, belonging, and what is deemed “native.”
S.G.

九龍東往事 An Asian Ghost Story is a film and installation piece by artist Bo Wang. It is a meditation on the spectral traces of Asia’s late-20th-century modernization, told through the unlikely medium of wigs and the global hair trade. Beginning with the 1965 U.S. embargo on “Asiatic hair”— later rebranded as “communist hair”— the film exposes how racialized and politicized categories reshaped the flows of capital, labor, and culture during the Cold War. Hair, as both intimate body matter and industrial commodity, becomes a haunting archive of imperial entanglements.   

S.G.

In this Issue: An article by Babatunde Titilola, “Beyond the Border Headlines: Media Coverage of Nigerian and ECOWAS Migration Narratives.

Upcoming
Spring 2025
Sinha Fellow Shenghan Gao will also be producing a new project for the M2Lab website, on invasive species. Stay tuned!

March 2026
M2Lab will be hosting in-person screening+ discussions on our theme of the year” “Entanglement”– featuring works by the New School’s Media Studies faculty, students, and artists, scholars all over the world. Stay tuned for this exciting opportunity to convene in person!! 

Become an M2Lab contributor

Do you research, write, or create projects around media and migration? Check out our Submissions page to see how you can get your projects and writings hosted on M2Lab and its Migration Mapping project.


These updates developed as part of the Sinha Memorial Fellowship, which is awarded yearly through The New School’s School of Media Studies.

 

Header image: 九龍東往事 An Asian Ghost Story (2022-2023), Bo Wang. Retrieved from https://www.bo-wang.net/an-asian-ghost-story.html

Body images: A Ballast Flora Garden: High Line, 2018. Photo: Timothy Schenck. Retrieved from https://www.mariatherezaalves.org/works/seeds-of-change-a-ballast-flora-garden-new-york?c=