2011-2016

• Scott Blinder and William L. Allen. “Constructing Immigrants: Portrayals of Migrant Groups in British National Newspapers, 2010–2012.” International Migration Review. Spring 2016.
• Shepard, Mark. “Minor Urbanism: Everyday Entanglements of Technology and Urban Life”Continuum: Journal of Media and Cultural Studies, 2013 (v 27, no. 4), 483 – 494
• BECK, Ulrich AND DANIEL LEVY, “COSMOPOLITANIZED NATIONS: RE-IMAGINING COLLECTIVITY IN WORLD RISK SOCIETY”  2013
• RIETHER, Gernot. “TOWARDS DIGITALLY INTEGRATED URBAN PLACES”  2011
• Flynn, Peter. “HOW BRIDGET WAS FRAMED: THE IRISH DOMESTIC IN EARLY AMERICAN CINEMA, 1895-1917.” Cinema Journal, Vol. 50, No. 2 pp. 1-20.

2001-2010

• KEMPADOO, Roshini. “INTERPOLATING SCREEN BYTES: CRITICAL COMMENTARY IN MULTIMEDIA ARTWORKS, JOURNAL OF MEDIA PRACTICE, 2010 (VOL 11 NO. 1): 59-80.
• ELSAESSER, Thomas. “DOUBLE OCCUPANCY: SPACE, PLACE AND IDENTITY IN EUROPEAN“ 2010
• KARAFILIS, Maria.“THE JEWISH GHETTO AND THE AMERICANIZATION OF SPACE IN MARY ANTIN AND HER CONTEMPORARIES,” IN AMERICAN LITERARY REALISM, VOLUME 42, NUMBER 2, WINTER 2010
• WANG, Grace. “A SHOT AT HALF-EXPOSURE: ASIAN AMERICANS IN REALITY TV SHOWS,” TELEVISION AND NEW MEDIA 2010 11: 404.
• MOORES AND METYKOVA, “KNOWING HOW TO GET AROUND: PLACE, MIGRATION AND COMMUNICATION” 2009
• PARKER, David AND MIRI SONG, “NEW ETHNICITIES AND THE INTERNET: BELONGING AND THE NEGOTIATION OF DIFFERENCE IN MULTICULTURAL BRITAIN,” CULTURAL STUDIES 23:4 (2009): 583-604. 
• O’NEILL, Maggie. “MAKING CONNECTIONS: ETHNO-MIMESIS, MIGRATION AND DIASPORA,” PSYCHOANALYSIS, CULTURE AND SOCIETY 14, 2009: 289-302.
• MURRAY LEVINE, Alison. “MAPPING BEUR CINEMA IN THE NEW MILLENIUM,” JOURNAL OF FILM AND VIDEO 60, 3-4, FALL/ WINTER 2008.
• KARIM, Karim. “NATION AND DIASPORA: RETHINKING MULTICULTURALISM IN A TRANSNATIONAL CONTEXT”
• KEMMITT, ALICIA. “DOCUMENTARY STORIES FOR CHANGE: VIEWING AND PRODUCING IMMIGRANT NARRATIVES AS SOCIAL DOCUMENTS.” THE VELVET LIGHT TRAP 60.1 (2007): 25-36.
• GEORGIOU, MYRIA. “CITIES OF DIFFERENCE: CULTURAL JUXTAPOSITIONS AND URBAN POLITICS OF REPRESENTATION” 2006
• APPIAH, ANTHONY. “THE CASE FOR CONTAMINATION,”  2006
• Davis, emily. THE INTIMACIES OF GLOBALIZATION: BODIES AND BORDERS ON-SCREEN 2006
• LIN, WANG-YING AND HAYEON SONG, “GEO-ETHNIC STORYTELLING” (PDF), IN JOURNALISM, V 7,N 3 (2006).
• CINEMA OF THE 1990S,” THIRD TEXT, VOL. 20, ISSUE 6, NOVEMBER, 2006, 647–658.  

• NISHIME, Leilani. “THE MULATTO CYBORG: IMAGINING A MULTIRACIAL FUTURE,” CINEMA JOURNAL, VOL. 44, NO. 2 (WINTER, 2005), PP. 34-49. 
• BECKHAM, Jack. BORDER POLICY/BORDER CINEMA: PLACING TOUCH OF EVIL, THE BORDER, AND TRAFFIC IN THE AMERICAN IMAGINATION 2005
• O’DONNELL, Edward. “PICTURES VS. WORDS? PUBLIC HISTORY, TOLERANCE, AND THE CHALLENGE OF JACOB RIIS,” THE PUBLIC HISTORIAN, VOL. 26, NO. 3, SUMMER, 2004.
• BRO, Peter. “COMMUNICATIVE NETWORKS,” JOURNALISM STUDIES, VOL. 5, NO. 4, 2004.
• COSCO, Joseph. “IMMIGRANTS OLD AND NEW, AND THE MAKING OF AMERICANS,” AMERICAN JOURNALISM, 20:3, 2003.

1991-2000

• KATARZYNA MARCINIAK. “CINEMATIC EXILE: PERFORMING THE FOREIGN BODY ON SCREEN IN ROMAN POLANSKI’S THE TENANT.” CAMERA OBSCURA 15.1 (2000): 1-43.
• TIBBETTS, John. “THE INCREDIBLE STILLNESS OF BEING: MOTIONLESS PICTURES IN THE FILMS OF KEN BURNS” 1996
• HANSEN, Miriam. “EARLY AUDIENCES: MYTHS AND MODELS”  1994.

1981-1990

• TRACHTENBERG, ALAN. “CAMERA WORK/ SOCIAL WORK,” FROM READING AMERICAN PHOTOGRAPHS 1989.
• Seixas, Peter. “From ‘Social’ to ‘Interpretive’ Photographer,” American Quarterly, Vol. 39, No. 3 Autumn, 1987.
• LIPSITZ, George. “THE MEANING OF MEMORY”  1986